Since HeavyBeat Records released Ambelique‘s album “Blind Spot” late last year, a couple of songs from the project have been trending, one of which is track #1, “I’m Thankful.”

As a response to all the positive feedback, producer Willie Lindo—the man behind HeavyBeat Records—and Ambelique arranged for the production of a music video for “I’m Thankful.” The video was shot at the end of April, on the 28th. It is now being edited and should be out in approximately two weeks.

Click here to stream / download “Blind Spot” from your preferred music platform.

The 2025 Westchester Reggae Festival will take place on Sunday, June 1, at Westchester County Center in White Plains, New York. The organizers believe that music is a powerful tool that can be used to erase the lines of separation and unite all people.

To that end, they are not only trying to attract Caribbean Americans but also anyone and everyone who has an appreciation for world music. That said, this year’s headliners are King Yellowman, Leroy Sibbles, Etana, and Queen Ifrica. They will be supported by Derrick Barnett and the Statement Band. Click here to buy tickets.

Dollarman‘s new single “Where Did Time Go” is out now, having launched on all streaming platforms on May 1st, 2025. This track reflects his introspective contemplation of time’s fleeting nature.

Inspired by the inevitability of aging, Dollarman shares his thoughts with clarity: “Time is more valuable than gold.” He elaborates that during his youth, the concept of time felt abundant; however, as he has matured, this perception has shifted dramatically. Through this song, he invites listeners to acknowledge that while the mind can revisit past moments freely, the body is bound by the constraints of nature. “Time is the master. Not man,” he asserts—emphasizing a theme that resonates universally.

In crafting “Where Did Time Go,”Dollarman not only wrote and performed the lyrics but also contributed musically by playing both drums and bass. He collaborated with Miguel Williams (aka LJ) on keyboards, Kevin Bachelor on trumpet, and co-producer Bernard Joseph (aka IOBI), who added guitar elements to enrich the composition.

Dollarman hopes that listeners will glean a profound message from his work: “After listeners hear this track, I would like for them to realize that we as human beings own nothing on this planet… Any possessions are just temporary.” This reflection serves as a reminder that while material wealth may be pursued throughout life, it ultimately possesses us rather than vice versa. In essence, life itself is portrayed as a transient gift—meant to be cherished rather than hoarded.

CLICK HERE TO DOWNLOAD “WHERE DID TIME GO”

Hailing from Annotto Bay town in the parish of Saint Mary, Droop Lion is recognized as one of the leading voices of the reggae-soul movement. While many may initially identify him through his breakout hit “Freeway,”Droop Lion‘s discography reveals a rich and diverse catalogue that showcases his unique style and uplifting messages. His latest single, “Roots Man,” serves as an exemplary addition to his body of work, encapsulating the essence of what it means to be an authentic roots man—interpreted within the context of Rasta culture.

In “Roots Man,” Droop Lion articulates a powerful statement regarding identity and authenticity. He proclaims, “roots man no put bleaching cream pan face, roots man no wear dem pants below waist,” emphasizing a return to cultural pride and self-respect that resonates deeply with listeners. This single is featured on the “Caution Riddim,” which was released on April 25th via Music House Entertainment. The project also includes contributions from other established artists such as Delly Ranx, Ginjah, Lutan Fyah, Turbulence, among others.

As he continues to evolve as an artist, Droop Lion remains committed to delivering messages that inspire and uplift audiences around the world.

CLICK HERE TO DOWNLOAD “ROOTS MAN”