Silk Sonic, the American pop duo that’s made up of Bruno Mars and Anderson .Paak, have been dominating the entertainment space in recent months with both the lead up to, and release of their brand new album, An Evening With Silk Sonic.
The first single, Leave The Door Open, which was shared early in the year, took the world by storm. It rose to the number one spot on hundreds of charts, won countless awards and has been streamed and downloaded multitudinously. With numbers like these one can – without actually hearing the song – accurately speculate that it sounds amazing. It’s well written, produced and delivered. As far as songs goes, Leave The Door Open is perfect!
After reading the preceding paragraph one would think that there is no way it can be improved upon. But all that was until veteran reggae artist Anthony Cruz shared his version.
At the beginning of October, Cruz, in partnership with Tad’s Record, unleashed the reggae remix of Leave The Door Open. As it’s been known to do, the pulsating reggae drum and bass, combined with the strumming of the keys and guitar, takes the record to whole new level. Also worth noting is Anthony Cruz‘s vocal prowess, which enabled him to hit notes not frequently attempted by many singers.
The global reggae community welcomed the more familiar version of an already very popular song, so much so that it has been, and continues to get heavy radio spins and feature on music platforms worldwide.
The overwhelming positive reaction to the song led to the creation of some visuals, which were faultlessly presented.
Category Archives: Reggae
Reggae Global Entertainment Presents “Di Jugglin. Volume 2 – Hush Riddim” Ft. Ed Robinson, Anthony Malvo & Others (@ReggaeGlobal)
At the end of November, U.S. based roots label, Reggae Global Entertainment, released a stunning seventeen-track album titled Di Jugglin. Volume 2 – Hush Riddim.
The project, which is made up of lovers-rock, inspirational and socially conscious tunes, boasts a stellar line-up. It features: Ed Robinson, Anthony Malvo, Ian Sweetness, G Cole, Hopeton Lindo, Hezron, Peter G, Joanna Marie, UU Maddo, Zeal, Yvad, Steve Knight, Yishka, Chris Thomas The CEO, Teddy Greaves Jr., Shauna Dazzle and Danglin. All the artists committed to the compilation once they learned that it’s for Joanna Marie and Ed Robinson; a well-respected couple in the industry.
In addition to the above-stated names, the creative energies behind the production are equally, and in some cases more accomplished. Therefore one can infer, without hearing it, that this body of work is authentic reggae music of the highest quality. World-renowned bassist Robbie Shakespeare is responsible for the bassline and Willie Lindo did the guitars; while piano, organs and drums were done by KashieF Lindo. The lone woman behind the scenes is the producer, Joanna Marie.
The rhythm was created at the Lindo‘s HeavyBeat Studio in Florida. As such, the HeavyBeat crew, along with Joanna Marie and Ed Robinson are credited for both mixing and mastering. As the name implies, this album is the second in a series of rhythm-driven records from Reggae Global Entertainment. Part one came out in 2017 and the hope is to have part 3 ready for November, 2022.
Since its release Di Jugglin. Volume 2 – Hush Riddim has had thousands of streams. When asked what she would like listeners to take away from this album, Joanna Marie said: “the most important take aways would be good penmanship, a riddim to rock your soul.. and longevity sound to last a lifetime.”
Dwight Pinkney’s Version Of “The Train Is Coming” Is Simply Euphonious!
It is said that there are literally hundreds of new reggae songs released on a daily basis. This number continues to grow, especially as technology advances, giving untrained music enthusiasts the ability to create their own sound.
This new day and age that we live in has its advantages and disadvantages. One of the unfortunate things about having access to so many new tunes on an ongoing basis is that the really great songs can, and does sometimes get lost in the crowd.
One such song is Dwight Pinkney‘s rendition of The Train is Coming; featured on Upstairs Music‘s latest reggae compilation with the same name.
Although this beautiful instrumental is being recognized and celebrated by persons within the reggae industry, many are of the belief that it ought to be exposed to a wider audience so that its charming and seductive melodies can be fully appreciated by true reggae lovers.
Dwight‘s decades of musical experiences are embodied in this one record. From his entry into the industry in the 60s with the group The Sharks, to his countless shows and studio sessions with the likes of Bunny Wailer, Coxsone Dodd, Toots Hibbert and other legendary reggae artists and producers. One of Dwight Pinkney‘s most recognized works to date is How Could I Live, which has been covered by many artists including the great Dennis Brown. That being said, his interpretation of The Train Is Coming is arguably among his best, as far as instrumental goes.
Dre Island & Khalia Celebrate Their Love For Reggae In New Single “Wild Fire” (@DreIslandMusic @khalia100)
Wild Fire, the new single from singers Dre Island & Khalia, is all about highlighting and celebrating one of Jamaica’s biggest assets, reggae music. Both the song and video were released a few days ago via K-Licious Records, and reggae fans are absolutely loving it.
Click here or on the image above to check out the visuals and remember to like, comment and share.
KashieF Lindo’s Album “Love On” Now #1 On South Florida’s Foundation Radio Network Reggae Chart
The recently released album by veteran reggae artist KashieF Lindo, Love On, is now sitting at the number one spot on South Florida’s Foundation Radio Network Reggae Chart. This is the first week that the project has risen to the top position, having been at number three last week.
Love On is a fourteen-track reggae album comprising of both lovers-rock and socially conscious tunes. It was published at the beginning of October via the HeavyBeat Records imprint, headed up by legendary producer Willie Lindo. All the songs were written by both KashieF Lindo and Willie Lindo, with the exception of Can’t Run Away From Your Heart, which was also penned by John Holt, Robert George Bailey and Steve Layne; Case Of Emergency, which shares writing credits with John Holt; Prisoner Of Love, written exclusively by Russ Columbo, Clarence Gaskill and Leo Robin; and Love Stake, which was also written by Gregory Isaacs.
Although KashieF has been releasing music over the years, this album is particularly special because it is his first full length studio LP in almost a decade. And the fact that the record has now reached the top of the reggae chart is evidence that the team at HeavyBeat Records is indeed living up to their slogan: “Worl A Reggae Music Bout Yah!!!”
Veteran Reggae Group The Itals Confirmed For Moe’s Alley On Dec. 3rd
Veteran Jamaican reggae group, The Itals, will be performing at popular live music venue Moe’s Alley on Friday, December 3rd. The twenty-one and older event will also feature special guests: KavaJah and The Remedy.
Early bird tickets are currently going for $18 USD; while at the door it will be $22 USD. Moe’s Alley is located at 1535 Commercial Way in Santa Cruz, California. Click here to buy tickets.
Veteran Reggae Artist Audley Rollen Returns With “Never Knew Love Till You”
While many in the music industry viewed the restrictions put in place because of the pandemic as a set back, veteran Jamaican recording artist Audley Rollen saw it as an opportunity.
When shows were cancelled or postponed and persons were being told not to gather in large numbers, Audley went to the studio to work on new music. In April of this year he emerged with what initially sounds like a lovers-rock reggae tune called Never Knew Love Till You.
The enchanting song – which is laced with horns – should really be classified as reggae-gospel, as Rollen is proclaiming that he never knew love until he committed his life to God. The inclusion of his wife, Dawn Marie, in the official music video may lead some to believe that the record is a temporal love song; but careful attention to the lyrics will prove otherwise.
Regardless if it is received as secular or gospel, the fact is that people are enjoying Never Knew Love Till You. Below are some feedback from random persons online after hearing the track:
Jossette B. Johnson
“Beautiful words and so true”
Gee Star
“Luv it pure niceness give thanks for great music a big up tune Boom! boom”
Dodo Diop
“good reggae thank you”






