Marlon Binns Gets Personal On New Tune “Dem A Wicked”

Reggae-dancehall singjay Marlon Binns, in collaboration with his long time friend and producer Paul Patmore, has just delivered a scorching new dancehall tune called Dem A Wicked. The song was officially released last week Friday – on October 7th – and has already gotten high marks from selectors who have heard it.

On the record, Binns – who has worked with Bounty Killer, Iyara and Teflon in the past – openly castigates some of his so-called friends for being fake and hypocritical. After hearing the passion with which he sung the song, Marlon was asked about its inspiration; and he basically said that he wrote it because of what he sees happening in everyday life. This is before adding that he has also experienced similar relationships.

The song’s overwhelming positive reviews, especially in such a short time, have led Marlon Binns‘ camp and the team at Paul Patmore Production to expedite the making of an official video. As such, its release is imminent.

In speaking about the meaning of this record, Marlon said: “what I want people to take away from this song is that you have to be careful of the people that you surround yourself with. You understand? You got to be careful of that; be very mindful that everybody have various interest, know what I mean. Because they will smile with you and want to hurt you at the same time. So you got to be vigilant and be very spiritual minded.”

CLICK HERE TO DOWNLOAD “DEM A WICKED”

Effective Immediately Jamaica’s Broadcasting Commission Bans All Songs Promoting Illegal Activities!

The Broadcasting Commission (the Commission) has issued a Directive requiring broadcasters to take immediate steps to prevent the transmission of any recorded material that promotes and/or glorifies illegal activity.

Guided by and exercising the powers granted under the Television and Sound Broadcasting Regulations, the Commission now requires an immediate halt to the transmission of:

  • any audio or video recording, live song, or speech which promotes and/or glorifies scamming, illegal use or abuse of drugs (e.g. ‘Molly’), illegal or harmful use of guns or other offensive weapons, “jungle justice” or any other form of illegal or criminal activity.
  • any edited song which directly or indirectly promotes scamming, illegal drugs, illegal or harmful use of guns or other offensive weapons, jungle justice, or any form of illegal or criminal activity. This includes live editing and original edits (e.g. edits by producer/label) as well as the use of near-sounding words as substitutes for offensive lyrics, expletives, or profanities.

To be clear, the broadcast of a sampling of any song which promotes or glorifies scamming, illegal drugs (e.g. ‘Molly’), illegal or harmful use of guns or other offensive weapons, “jungle justice” or any other form of illegal or criminal behavior is strictly prohibited.

The Directive reinforces the Commission’s commitment to keeping the airwaves free of harmful content given the important role traditional media still play as agents of socialization. The use of the public airwaves to broadcast songs that promote/glorify illegal activity could give the wrong impression that criminality is an accepted feature of Jamaican culture and society. It could also unwittingly lend support to moral disengagement and further normalize criminality among vulnerable and impressionable youth, and the young adult demographic.

Commenting on the Directive, Executive Director of the Commission, Cordel Green, said it was the end product of a wide-ranging process that included focused monitoring, decoding of subculture dialect and urban slangs, deliberations on balancing free expression vis-à-vis protection from harm, and consultations with Industry.

Mr. Green went on to explain that this approach was necessary given the nuances and peculiarities inherent in content regulation.

“Part of the difficulty in dealing with music, especially that which emerges from a subculture, is that it takes time to identify, understand and verify the slangs and colloquial language used. Understandably, new street lingua may take some time before they are normalized, or their meanings become well entrenched. The Commission also has to be circumspect in its actions, knowing that regulatory attention can have the unintended consequence of giving exposure to and popularizing subcultural phenomenon,” – Cordel Green

The Executive Director also said that while content regulation must always have regard for the right to freedom of expression, any context in which criminality is presented through music or videos as normal behavior, conflicts with the tenets of responsible broadcasting.

The BCJ continues to welcome and encourage the public to share information about any violations via:

The Broadcasting Commission is the regulatory body that is responsible for monitoring radio, television, and cable services. It receives and investigates complaints from the public in relation to these services. The Commission assures the public that it will continue to exert all powers within its regulatory remit to protect the most vulnerable (children and impressionable and unattached youth) from harmful media content.

SOURCE: BROADCASTING COMMISSION

Have You Heard Horace Andy’s “Midnight Scorchers”?

Midnight Scorchers is the companion album to Horace Andy‘s critically acclaimed Midnight Rocker, released earlier in the year. Midnight Scorchers, which is Adrian Sherwood’s ‘sound system’ take on the original sessions, came out in mid September. It features new tracks, dancehall re-works with MC interjections from Daddy Freddy and Lone Ranger, as well as stripped back instrumental versions in classic dub-reggae style.

Continuing the series that Sherwood began with Heavy Rain, his re-working of Lee “Scratch” Perry‘s Rainford album, Midnight Scorchers is both an essential sequel to Midnight Rocker, as well as a powerful album in its own right.

Click here to stream and download Midnight Scorchers from your preferred music platform.

Mystic Bowie Is Lending His Voice To A Worthy Cause

On Saturday, October 15, Mystic Bowie’s Talking Dreads will do a three-hour concert at 2 East Commerce Street, in Bridgeton, New Jersey.

The event is being presented to generate funds for youth programs in and around South Jersey. To that end, attendees are being encouraged to come out early – starting time is 4pm – and make a minimum donation of $5.

Black Uhuru Performs In Hartford, CT This Friday

As part of the Live Reggae Winter Series, the legendary Black Uhuru will perform a set at Webster Theater – 31 Webster Street – in Hartford, Connecticut, on Friday, October 14. The Grammy winning ensemble will be joined by fast rising artist Mario Cheef and other local acts.

Tickets are currently on sale at Dunn’s River and Lion’s Den Restaurants. They can also be purchased online for $30.

Caribbean Culture Fest 2022 Is This Weekend In Miramar, FL

Organizers of the 2022 Caribbean Culture Fest are busy making their final preparations for the big event this weekend. The two-day festival, centered around Afro-Caribbean culture, will take place on October 15th and 16th at Miramar Regional Park in Miramar, Florida.

This is an all ages, family affair, that will have several performing artists of Caribbean and African descent. Featured artists include: Destra Garcia, Mr. Killa, Pheelz, Kenny Haiti, Nu Look and many more. Get tickets here.

Marlon Binns’ Bio

A voice that can be described as sweet, soulful and enchanting, Marlon Orette Binns epitomizes the essence of Rhythm & Blues, Reggae and dancehall music. His sweet harmonious sound has not only graced local radio stations and audiences but international audiences as well. This young, passionate and sensational singer was born in Manchester, Jamaica on October 14th. He is the sixth of nine children. His mother is a business woman and his father is a pastor at Zion Restored Church in Mandeville. Good, clean, positive and uplifting music has always been an important part of his upbringing, as Marlon’s career is rooted in the church, where he sang on the church choir (as lead singer); he also displayed his musical talent at weddings and fund raisers for the church.

Being a very keen and insightful individual, education has played a very critical role to the level of astuteness to this artist’s development. He attended the Christiana Comprehensive High School and enjoyed playing football and cooking. A very humble person who’s inspired by the Almighty, Marlon prefers to write his own music, as this is his way of expressing himself and addressing issues of the heart, as well as social commentaries. In his own words “I sing for the people, their struggles, and triumphs!” He loves Bob Marley’s courageous and righteous lyrics, which always have a message, and Beres Hammond’s smooth and tantalizing style. These two great Jamaican artistes have left a legacy for young artistes like him to nurture and build upon.

Marlon’s musical career became inevitable after he won the Grace Road Show in 1997. His first mission was finding a suitable team to work with. In June 2002, Marlon moved to Kingston and teamed up with Solid Agency, where he was exposed to the Dancehall/Reggae audience, and was able to perform on several events promoted by the above-mentioned company. One of his most memorable experiences to date was his first performance outside of Jamaica. He opened a show for Wayne Marshall in Antigua. He stated “I was surprised to see the love that was poured out to me during my performance!” This has encouraged the young singer to carry on with his work, as he believes that he is chosen by the Almighty to educate, motivate, uplift, and enhance the life of people and nations across the world. Recently Marlon opened for Voicemail at the University of the West Indies’ Freshers Fete on the St. Augustine campus in Trinidad & Tobago. The responses from his performances have been more than encouraging.

After receiving this very encouraging reception from his audiences in the Caribbean, Marlon has also wowed and amazed those of his audiences in the Americas, Europe and the continent of Africa. He delivered sensational performances in America, Canada, England and South Africa. He has collaborated musically with Bounty Killer, Iyara and Teflon. He has a lot of love and respect for Bounty Killer who he says has brought him to the forefront of his musical dreams and accomplishments thus far. His hope for the future is to continue to do good, positive music that can inspire and uplift his audiences. He aspires to continue on the journey that the great Bob Marley so passionately lead and hopes that he too will be a monument among the many Jamaican talented performers.