Paul Patmore Production Releases New Music By Dancehall Singer Trinni”Stay Solid”

Earlier this year, at the beginning of summer, Paul Patmore Production entered into an agreement with Mandeville-born, Trelawny-based singer Trinni. Since then, the entire team have been busy conceptualizing, and subsequently creating her first single with the label. The result is Stay Solid, an inspirational dancehall tune jam-packed with some much needed practical advice, especially for young adults.

Stay Solid was written by Trinni who, although very active in the dancehall scene, credits her strong vocal delivery to years of singing in church. She admits that the song was inspired by the many challenges she experienced at the start of her career. 

“When I initially started I did not get support; generally not from friends not from family. Friends would think the songs are too raunchy or they don’t like dancehall music; while family just believes if you’re not singing gospel or singing for the Lord, you are sinning. So it was all about not being supported; not mentally, not physically, not emotionally. But I still decided this is what I want to do.” 

Now that she has found a home with Paul Patmore ProductionTrinni is making it clear that she will use both her talent and this opportunity for good. She explains: “I wanna make a difference. I’m hoping to bring authenticity, share genuine messages, uplift others- especially females. I have a special sound, an individual voice, and I have things to say that need to be heard.” 

Stay Solid was officially released on Monday, October 17th; and as such, it can now be streamed and downloaded from all major music platforms.

CLICK HERE TO DOWNLOAD “STAY SOLID”

Dancehall Artist Mr. Lexx Goes “Full 100”

Dancehall artist Mr. Lexx and his Diggynation team will bring the Full 100 musical experience to Sabina Park – 24 South Camp Road – in Kingston, Jamaica, on Saturday, November 5th.

The event will feature live performances by Sizzla Kalonji, Tanya Stephens, Shane O, D’Angel, Mr. Lexx and many other trending dancehall artists. Additional music will be provided by top-tier sounds: Stone Love, Renaissance, Syndicate and Adonai. Get tickets here.

Marlon Binns Gets Personal On New Tune “Dem A Wicked”

Reggae-dancehall singjay Marlon Binns, in collaboration with his long time friend and producer Paul Patmore, has just delivered a scorching new dancehall tune called Dem A Wicked. The song was officially released last week Friday – on October 7th – and has already gotten high marks from selectors who have heard it.

On the record, Binns – who has worked with Bounty Killer, Iyara and Teflon in the past – openly castigates some of his so-called friends for being fake and hypocritical. After hearing the passion with which he sung the song, Marlon was asked about its inspiration; and he basically said that he wrote it because of what he sees happening in everyday life. This is before adding that he has also experienced similar relationships.

The song’s overwhelming positive reviews, especially in such a short time, have led Marlon Binns‘ camp and the team at Paul Patmore Production to expedite the making of an official video. As such, its release is imminent.

In speaking about the meaning of this record, Marlon said: “what I want people to take away from this song is that you have to be careful of the people that you surround yourself with. You understand? You got to be careful of that; be very mindful that everybody have various interest, know what I mean. Because they will smile with you and want to hurt you at the same time. So you got to be vigilant and be very spiritual minded.”

CLICK HERE TO DOWNLOAD “DEM A WICKED”

Effective Immediately Jamaica’s Broadcasting Commission Bans All Songs Promoting Illegal Activities!

The Broadcasting Commission (the Commission) has issued a Directive requiring broadcasters to take immediate steps to prevent the transmission of any recorded material that promotes and/or glorifies illegal activity.

Guided by and exercising the powers granted under the Television and Sound Broadcasting Regulations, the Commission now requires an immediate halt to the transmission of:

  • any audio or video recording, live song, or speech which promotes and/or glorifies scamming, illegal use or abuse of drugs (e.g. ‘Molly’), illegal or harmful use of guns or other offensive weapons, “jungle justice” or any other form of illegal or criminal activity.
  • any edited song which directly or indirectly promotes scamming, illegal drugs, illegal or harmful use of guns or other offensive weapons, jungle justice, or any form of illegal or criminal activity. This includes live editing and original edits (e.g. edits by producer/label) as well as the use of near-sounding words as substitutes for offensive lyrics, expletives, or profanities.

To be clear, the broadcast of a sampling of any song which promotes or glorifies scamming, illegal drugs (e.g. ‘Molly’), illegal or harmful use of guns or other offensive weapons, “jungle justice” or any other form of illegal or criminal behavior is strictly prohibited.

The Directive reinforces the Commission’s commitment to keeping the airwaves free of harmful content given the important role traditional media still play as agents of socialization. The use of the public airwaves to broadcast songs that promote/glorify illegal activity could give the wrong impression that criminality is an accepted feature of Jamaican culture and society. It could also unwittingly lend support to moral disengagement and further normalize criminality among vulnerable and impressionable youth, and the young adult demographic.

Commenting on the Directive, Executive Director of the Commission, Cordel Green, said it was the end product of a wide-ranging process that included focused monitoring, decoding of subculture dialect and urban slangs, deliberations on balancing free expression vis-à-vis protection from harm, and consultations with Industry.

Mr. Green went on to explain that this approach was necessary given the nuances and peculiarities inherent in content regulation.

“Part of the difficulty in dealing with music, especially that which emerges from a subculture, is that it takes time to identify, understand and verify the slangs and colloquial language used. Understandably, new street lingua may take some time before they are normalized, or their meanings become well entrenched. The Commission also has to be circumspect in its actions, knowing that regulatory attention can have the unintended consequence of giving exposure to and popularizing subcultural phenomenon,” – Cordel Green

The Executive Director also said that while content regulation must always have regard for the right to freedom of expression, any context in which criminality is presented through music or videos as normal behavior, conflicts with the tenets of responsible broadcasting.

The BCJ continues to welcome and encourage the public to share information about any violations via:

The Broadcasting Commission is the regulatory body that is responsible for monitoring radio, television, and cable services. It receives and investigates complaints from the public in relation to these services. The Commission assures the public that it will continue to exert all powers within its regulatory remit to protect the most vulnerable (children and impressionable and unattached youth) from harmful media content.

SOURCE: BROADCASTING COMMISSION

Marlon Binns’ Bio

A voice that can be described as sweet, soulful and enchanting, Marlon Orette Binns epitomizes the essence of Rhythm & Blues, Reggae and dancehall music. His sweet harmonious sound has not only graced local radio stations and audiences but international audiences as well. This young, passionate and sensational singer was born in Manchester, Jamaica on October 14th. He is the sixth of nine children. His mother is a business woman and his father is a pastor at Zion Restored Church in Mandeville. Good, clean, positive and uplifting music has always been an important part of his upbringing, as Marlon’s career is rooted in the church, where he sang on the church choir (as lead singer); he also displayed his musical talent at weddings and fund raisers for the church.

Being a very keen and insightful individual, education has played a very critical role to the level of astuteness to this artist’s development. He attended the Christiana Comprehensive High School and enjoyed playing football and cooking. A very humble person who’s inspired by the Almighty, Marlon prefers to write his own music, as this is his way of expressing himself and addressing issues of the heart, as well as social commentaries. In his own words “I sing for the people, their struggles, and triumphs!” He loves Bob Marley’s courageous and righteous lyrics, which always have a message, and Beres Hammond’s smooth and tantalizing style. These two great Jamaican artistes have left a legacy for young artistes like him to nurture and build upon.

Marlon’s musical career became inevitable after he won the Grace Road Show in 1997. His first mission was finding a suitable team to work with. In June 2002, Marlon moved to Kingston and teamed up with Solid Agency, where he was exposed to the Dancehall/Reggae audience, and was able to perform on several events promoted by the above-mentioned company. One of his most memorable experiences to date was his first performance outside of Jamaica. He opened a show for Wayne Marshall in Antigua. He stated “I was surprised to see the love that was poured out to me during my performance!” This has encouraged the young singer to carry on with his work, as he believes that he is chosen by the Almighty to educate, motivate, uplift, and enhance the life of people and nations across the world. Recently Marlon opened for Voicemail at the University of the West Indies’ Freshers Fete on the St. Augustine campus in Trinidad & Tobago. The responses from his performances have been more than encouraging.

After receiving this very encouraging reception from his audiences in the Caribbean, Marlon has also wowed and amazed those of his audiences in the Americas, Europe and the continent of Africa. He delivered sensational performances in America, Canada, England and South Africa. He has collaborated musically with Bounty Killer, Iyara and Teflon. He has a lot of love and respect for Bounty Killer who he says has brought him to the forefront of his musical dreams and accomplishments thus far. His hope for the future is to continue to do good, positive music that can inspire and uplift his audiences. He aspires to continue on the journey that the great Bob Marley so passionately lead and hopes that he too will be a monument among the many Jamaican talented performers.

I-Wayne, General Trees, Screwdriver & Others Will Be At “Original Dancehall Thursday” Tomorrow

Tomorrow night (October 6th) several veteran reggae and dancehall artists will be at Rebel T HQ on Dumbarton Avenue in Kingston, Jamaica for the Original Dancehall Thursday Concert & Dance.

Confirmed artists includes I-Wayne, King Banton, Boris Gardener, Barry Back, Rohges, Anacanda, General Trees, Screwdriver, and many more. The event will be hosted by Peter Metro and Major Mackerel; with additional music by Black Scorpio Sound, Klassique Klymaxx, Super Tone and Creation Int’l Music.

Nitty Kutchie Is Living A “Happy Live” 

Nitty Kutchie, one of reggae’s strongest vocalists, has been active in Jamaica’s music industry for approximately thirty years. Many people may know him from the early 90s collaboration he did with Bounty Killer and Angel DoolasGo Away. However, Kutchie has a slew of songs that have achieved notable success, but because he keeps a low profile, music lovers may not know that he is the voice behind some of their favorite tracks.

Kutchie, with assistance from his long time friend and colleague, Richie Stephens, is hoping to change that. The two men recently worked together on the 2022 Jamaica Festival Song Competition; Stephens wrote the tune – Defend Jamaica – and Nitty Kutchie sang it. Although the song did not win, many people, at home and abroad, felt that it should have been the winner.

To that end, Richie Stephens followed up by writing another song, this one called Happy Life, and again invited Nitty Kutchie to sing it. Happy Life, which is produced by BoomRich Productions, Essential Musik and Richie Stephens‘ own Pot of Gold Production, also features The Gambian producer/artist Goodboy Elliot. It is appropriately being called a club banger because of its heavy rotation in night clubs and street dances.

An official video, which shows Nitty Kutchi living a Happy Life, was also shared.

CLICK HERE TO DOWNLOAD “HAPPY LIFE”