Beres Hammond’s Biography (@BeresHammondOJ)

Beres+Hammond++URoyBeres Hammond OJ is a Jamaican reggae singer who is credited for pioneering a musical form known as lovers rock. In addition to his low key, but upbeat sound he has perfected an idiosyncratic vocal style tinged with soul influences, perfectly adaptable to his reggae instrumental framework.

Hammond was born on 28 August 1955 in Annotto Bay, saint Mary, Jamaica, the 9th of 10 children. His early musical influences were guided by his father who introduced him to soul and jazz artists like Sam Cooke and Otis Redding. Hammond later found ska and rocksteady music and cites influences like Alton Ellis, Peter Tosh, Curtis Mayfield, and the Uniques.

By 1972 he was ready to start his own music career. He spent the majority of his upstart competing in local talent competitions, which proved to pay off. In 1975 he was invited as Zap Pow’s lead singer, a group perhaps best known for their 1978 hit single “The System” which was issued through Aquarius Records. Hammond also pursued a solo project in parallel with his stint with Zap Pow and in 1976 he put out his 1st studio album “Soul Reggae”. This release came out through Water Lily and spawned the Jamaican hit “One Step Ahead”. Another hit single “I’m in Love” followed in 1978 and by 1979 he left Zap Pow to focus exclusively on his solo career. However he did diverge from his solo path to form a brief lived performance act known as Tuesday’s Children.

00-beres hammondIn 1985 Hammond founded a record label of his own called Harmony Records. Through this label he released the album “Make a Song”, which saw his sound embrace the budding dancehall style. This album featured the two hit singles “Groovy Little Thing” and “What One Dance Can Do”, both which peaked to the No.1 spot on the Jamaican Singles chart. These tracks were not only regionally lucrative, but also segued Hammond into international playing grounds.

This international success along with the fact that his house in Jamaica was burglarized prompted him to move to New York City. While in the States he recorded and released the album “Have A Nice Weekend”, which came out in 1988 through Charm records. A year later he released “Putting Up Resistance” through Tappa Records. It would be another three years until his follow up album “A Love Affair” saw release; however, this decade is often considered the highlight of his career. Hammond started off the decade with his biggest hit yet “Tempting to Touch” and proceeded them with two contending successors “Is This a Sign” and “Respect You Baby”. He poured out a string of album releases through the rest of the 90s: “Full Attention” (1993), “Sweetness (1993), “In Control” (1994), “Expression” (1995), “Love From a Distance” (1997), and “A Day in the Life” (1998).

Hammond’s impression on the reggae market refused to wane in the 2000s. His 14th studio album “Music Is Life”, included the three hit singles “They Gonna Talk”, “Rockaway”, and “Ain’t It Good To Know” and also featured the acclaimed pop star Wyclef Jean. His collaborative spree leaked over to his 2004 album, “Love Has No Boundaries”, which featured appearances by Buju Banton and Big Youth. Though Hammond continued to release solid album’s throughout the 2000s such as “Lifetime Guarantee”, “A Moment in Time” and “Just a Man” it was his release of “One Love, One Life”, which certified him as a legend of reggae lovers rock. This album shot to the very top of the Billboard Reggae Album charts and earned him a Grammy nomination in 2014.

Warrior King’s Biography (@Warriorking9)

DSC_0328_pp (2)Like a bolt of lightning from the sky, Rasta messenger Warrior King has burst upon the scene, utilizing his gift of song to spread Jah truth throughout the world. Warrior King was born on the 27th of July, 1979, in Kingston’s Jubilee Hospital, soon moving to Clarendon and then settling in the growing city of Portmore at age eleven. “From birth I’ve always loved music, but it was not until I attended high school at the age of thirteen that I thought about it as something I could do myself,” Warrior King explains. “At that time I followed Bounty Killer’s style, but then my friends said “You have the potential. You have the talent.’ From there I started increasing my own thing, and with encouragement from my peers and divine inspiration, the music started to flow.”

Like many successful Jamaican entertainers, Warrior King gained his earliest stage experience in talent shows. “I started out with school concerts at first,” he says. “At the time when I just came into music, I used to do some combinations with a youth named “Likkle Blacks” Marlon Stewart. We used to do Tastee’s Talent Shows, etc so we could really start getting exposure and gain experience. When he first started out, Warrior King chatted in a hardcore deejay style like his original hero and mentor, Bounty Killer. A switch to the more holistic “Singjay” sound came gradually. “It’s a natural thing that has grown inside of me, even without me realizing it,’ the singer reasons. “People started telling me they love my style of singing now. So, really and truly it’s just a natural change.” Even his name is an extension of this evolution. “Frisco Kid changed my name from ‘Junior King’ to ‘Warrior King’ because it has a more spiritual feel to it. Fighting against oppression, fighting against wrong. I’m Jah Warrior, yuh know, fighting a war of rootical love.

Warrior King’s debut single, “Virtuous Woman,” was an international smash hit, its righteous lyrics prompting the Jamaica Observer to declare the singer “one of the artistes who has made a difference.” Since his auspicious beginning, Warrior King’s compositions have consistently charted not only in his native Jamaica, but throughout the entire Caribbean, New York, California, London, Tokyo, and beyond. “A Friend Indeed” received heavy rotation in Jamaica, while “Jah Is Always There” was a summer smash on Atlanta’s More Fire chart. The inclusion of “Never Go Where Pagans Go” on VP Records’ compilation set “Reggae Gold” further raised the artist’s pubic persona. Tracks like “Virtuous Woman,” “Can’t Get Me Down” and other compositions have built the foundation of Warrior King’s reputation. Warrior King has now released four internationally acclaimed albums, entitled “Virtuous Woman, Hold the Faith, Love is in the Air, Tell Me How Me Sound”.

Now the conscious singer has released his newest full-length album entitled “The ROOTZ WARRIOR.” Each song featured on the CD has a different style and the message emphasizes Purity, Truth, Strength, and Love. “Ain’t Giving Up” is the first international single from the new Rootz Warrior album, and the track already smashing barriers on radio publicity machines around the globe.

Warrior King believes that education is the key to better lives and hopes that his music will serve to convey the teachings of His Imperial Majesty, Haile Selassie I. “As a Rastafarian, I understand we must teach religious Tolerance , Peace between all, and I just don’t sing music, I sing music with a purpose, a mission, and Love. To the four corners of the Earth,” says Warrior King, “I carry my music, the message of the King, and the message of Love to all people of all races…”

The new Warrior King album “The Rootz Warrior” is now available…

Contacts: Warrior King Productions and Management – warriorkingontour@gmail.com MMCo Tel +33 6 42 50 8793

Brian Holt Bio

Brian 1Brian H. C. Holt is the son of legendary reggae recording artist, John Holt. Born in Kinston 13 and raised in the Meadowbrook Estate area in Jamaica, Brian grew up with his dad, grandparents and half siblings. As was expected, he developed a love for music at a very young age. He remembers sitting in his living room as a child playing several LP and EP vinyl records for hours.

Although he was surrounded by music from birth, his official journey towards a career as a singer did not commence until he was about seventeen years old. By this time he was living with his mother in Connecticut, as his dad was back and forth between Jamaica and the United Kingdom. After school, Brian and his friends would go to a particular schoolmate’s house and take turns performing over various rhythms.

When he turned nineteen years old a friend of the family who was also a producer, heard him and invited him to the studio to lay vocals. He recorded a track entitled “I don’t wanna be there,” which was released in both Connecticut and New York. Despite the fact that the song was well received, Brian found it difficult to maintain a consistent career in music as he was also involved in other things. That being said, in 2015 he recorded and released two new tracks: one dedicated to his father, entitled, “lost dad” and a cover version of “lost love.”

Though he has not recorded and released a lot of music over the years, Brian remained visible on the live scene, as he was always performing at various events. His most recent major performance was at the 2015 Jazz and Blues Festival in Jamaica and his dad’s memorial, held in the same year.

Anyone wanting to work with Brian Holt may do so by contacting Whatage Music via email address whatagemusic@gmail.com or phone +1(876) 347-1766

 

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Bio prepared by www.mjent.net

Kappo’s Biography (@kappomuzic)

00-Kappo Bio

Kappo

Kappo is a singer, song writer and entertainer born March 22nd 1974 in the parish of Clarendon on the beautiful island of Jamaica. He grew up in the ever cool hills of Mocho in the small community of Stewarton.

Music has always been his passion! His mother, Eudalee Smith, said from the tender age of 3 years old, Kappo was always singing and dancing. Even as a toddler before he could speak properly he would often be playing a beat and dancing to whatever he could find to turn into an instrument and make music. Like most singers, Kappo started singing at church and in schools. When he was 9 years old his father, Altyman Hanson, gave him an old turntable that he later converted into a little sound system. On most weekends Kappo would entertain his friends and family playing records at his father’s grocery shop.

As he got older, Kappo decided to take his music to a more professional level. He ventured out to the north coast of Jamaica where he started singing in various tourist hotels around Ocho Rios, Montego Bay and Negril. Word of his talent spread quickly, and he was soon invited to join a Florida based band called Psyche. One of his most memorable moments with the group was in 2009 when they performed as the opening act for Fort Lauderdale’s annual Jerk Festival. Another note worthy moment was the feature they got on Florida’s ABC TV. Psyche received a lot of exposure and was promoted as one of the best emerging reggae bands from Jamaica.

In 2010, Kappo was given the opportunity to sign with Royal Caribbean Cruise Lines. He took advantage of it and immediately became the lead singer of the Temperature Band on the cruise. This band consistently got everyone moving and grooving to the smooth sounds of R&B, POP and Reggae while touring Europe, North America and the Caribbean.

Kappo currently resides in Boston, Massachusetts. He travels frequently to Jamaica to perform and record his original music. When asked what is your most memorable performance to date? Kappo recalls performing at the Golden Eye Hotel in St Mary, for Harry Styles and the One Direction Band. The popular English based band came to Jamaica for a private party to celebrate young Harry’s 21st birthday in February of 2014.

Kappo recently released two original songs: “Party Time” and “Sensimillia.” Additionally he has two reggae covers that he is promoting: Sam Smith’s “I’m not the only one” and Phil Collins’ “One more night.” The singer is presently looking forward to releasing his debut album. Each original song showcases the versatility of the artist and his diversity as he covers Ska, lover’s rock, Dub, Roots and Dancehall. Kappo’s musical influences and mentors include Bob Marley, Peter Tosh, Beres Hammond, Morgan Heritage, Jimmy Cliff and Shaggy.

As an artist Kappo is still looking forward to greater achievements. He strives to continue making music and contribute to the genre he loves most, authentic roots reggae.

Peppery’s Bio (@pepperyworld)

00-peppery cleanClayton Brown, more popularly known as Peppery, is arguably, currently one of the most underrated artists in the Reggae/Dancehall industry.

Though he hails from the Wire Fence district in Trelawny, Jamaica, he is now, and has been based in Manchester in the United Kingdom for many years. Clayton grew up with his parents, 3 brothers and 1 sister. Being the youngest in the family, he was never discouraged when he began to display an interest in the entertainment industry. This was especially because his mother was always singing around the house and his father had a passion for music. According to Clayton, almost everyone around him, at the time, was either a singer or a chanter, so his transition into music felt natural. When he first began however, he initially started out copying other artists before learning to create his own lyrics.

The interesting story behind the name Peppery began way back when he was attending the Holmwood Technical High School in Manchester, Jamaica. His nickname back then was Chilli. He later added Bongo to it because of his love for the Rastafarian way of life. Up until around 2010, all the songs that he had released bare the moniker Bongo Chilli. He was only using Peppery as a slogan, but to his surprise, people started calling him Peppery, thinking that was his actual artist name. He even remembers recording a track for a producer and labeling the files as Bongo Chilli but when the producer released the record, it had Peppery as the artist. It seemed as if the name Peppery was inevitably his, so he adopted it and never looked back.

Once he became a man and made the conscious decision to pursue a career as a recording artist, Peppery began putting in a lot of work to advance his music career. Over the years he has released several singles and has been featured on many compilations. The following is his discography starting from 2011:

  • 2011: Mistaken Identiti (Album), Can’t Touch My Style (Digitup Riddim Compilation)
  • 2012: Good Feeling (Normalize Riddim Compilation), Party Clan (Normalize Riddim Compilation) Unconditional Love (Mama Proud Riddim Compilation)
  • 2013: More Cream (Big Vibez Riddim Compilation), Foundation Style (Single), Know Themself (Shake a Leg Compilation), Humanity Featuring Tippa Irie (Legalize It Riddim Compilation), Come to town (Soul island vol. 2 Compilation), Patience Featuring Golden Touch (Resolution Riddim Compilation)
  • 2014: Turn It Up (Light Weight Riddim Compilation), Love Me Back (Single), Weed Dilemma (Johnny Blaze Riddim Compilation) Bruckout & Wine (Single), Pull Yuh Weight Featuring Karamanti (Sprung Riddim Compilation)
  • 2015: Good So (EP), Working Class (Look Good Riddim Compilation), Yuh Nuh Bad (One Step Forward Compilation), Represent (One Step Forward Compilation), One By One (Special Request Compilation), Skank If Yuh Skanking (Style Riddim Compilation)
  • 2016: Sipple Out Deh (Natty Love Riddim Compilation), Tall Dark and Handsome (Single)

Additionally, he has performed at many events/venues right across Europe. The following are some of his most memorable performances:

  • Boomtown Fair (UK)
  • Real Beat and Rock for Churchill Festivals (Czech Republic)
  • Uprising Festival (Slovakia)
  • Raggapak Festival (Denmark)
  • Popkomm Festival (Germany)
  • Seasplash Festival (Croatia)
  • High Foundation and Canapa Festivals (Italy)
  • Mini Tour (Russia)

 

FOLLOW PEPPERY ON SOCIAL MEDIA

Twitter: https://twitter.com/pepperyworld
Instagram: https://www.instagram.com/pepperymusic
Facebook: https://www.facebook.com/pepperysupport
YouTube: https://www.youtube.com/user/pepperyglobal

Karamanti’s Bio

2016 KaramantiThough the Reggae/Dancehall industry is dominated by men, Karamanti stands as a strong black woman, (in her home town of Kingston, Jamaica) raining showers of conscious lyrics to a generation far from reality.

Karamanti has been creating music since she was eight years old. Falling in love first with rap (or hip-hop), then embracing Dancehall and now passionate about Reggae. In spite of the fact that she has been making music for most of her life, she only began to pursue it as a career in 2011. Currently regarded by many as one of Jamaica’s best female lyricist, Karamanti writes her own songs and operates her own record company; Blakkwuman22 Music.

Industry insiders began paying attention to her when she released the single “don’t it,” produced by Red Boom in 2012. The track exposed her to a hardcore Dancehall audience that was eager to hear more from the self acclaimed Pan-Africanist. Karamanti spent the summer of 2012 engaged in a nationwide media tour which had her performing, and/or being interviewed on most of the major entertainment radio and TV programs in Jamaica. That was followed by a Canadian tour which featured performances on big events such as the Montreal Reggae Festival and the Toronto Rasta Festival.

ACCOMPLISHMENTS
Since she officially stepped out on the scene in 2012, Karamanti has been consistent in releasing songs which focuses primarily on social and political issues. She has done several music videos and live performances both in Jamaica and overseas.

Karamanti’s voice can be heard on some of the biggest Reggae and Dancehall rhythms coming out of Jamaica: Heights Riddim (“Gye Nyame”), Rock Island Riddim (“Fake Rasta”), Life Triangle Riddim (“Hold On”), Reggae Land Riddim (“Domestic Abuse”), Love Bounce Riddim (“Da One Ya Fi”) and that is just to name a few. She has also enjoyed success with singles like “Read,” which was produced by Denmark’s #1 Dancehall artist/producer, Pharfar. The song got heavy radio rotation and climbed to the #1 spot on the Top Ten Conscious Chart which airs on Jamaica’s Roots FM. It sat there for weeks beating out songs from now popular artist, Chronixx.

Karamanti has collaborated with major Jamaican artists: 3 Starr (from Mavado’s Gully Squad), veteran Mikey General, Asante Amen and many others. She has also done recordings with international acts: Iwan, Sonniballi, Blasto, Lise Ranks, Stonebwoy and several others. In her role as executive producer, Karamanti, via her record company, Blakkwuman22 Music has released projects which feature long time dancehall artist Alozade, iconic star, Lt. Stitchie and a lot more respected Jamaican artists.

In April 2013, Karamanti released her first and only studio album entitled Dancehall Retaliates. It was released on her Blakkwuman22 Music label with production credits going to both Ricardo ‘Red Boom’ Reid and Shamarie ‘Digital Sham’ Bogle. Karamanti was nominated as best the female solo artist for 2013 by the Dancehall Industry Awards (held in the UK). Additionally, one of her videos for the song “Rise” (which is on the album Dancehall Retaliates) was nominated as best Dancehall video for 2013. To top it off, Reggae France included Dancehall Retaliates in the WINS REGGAE AWARDS in the category for Dancehall Album of the year for 2013. Here she went up against two Jamaican heavy weights: Vybz Kartel and Mr. Vegas.

Karamanti has performed all over the world. She has graced stages in cities like Gothenburg, Stockholm, Hamburg, Prague, Copenhagen, Roskilde, Aarhus and more in Europe; and Vancouver, Toronto, Montreal, Seattle, Bellingham and more in North America; and Dominica Republic and of course, Jamaica in the Caribbean.

Persons wanting to work with Karamanti may do so by sending an email to info@karamantimusic.com

KARAMANTI ONLINE
Website: www.Karamantimusic.com
Twitter: www.twitter.com/Karamanti
YouTube: www.youtube.com/KaramantiTV
Facebook: www.Facebook.com/Karamantimusic
Instagram: www.Instagram.com/Karamantimusic

Terro Melody’s Biography

Terro Melody CroppedPeter Kay-Williams (born 9 May 1980), professionally known by his stage name “Terro Melody,” is a Jamaican Singer from Cave Valley in the District of St. Ann, Jamaica. He started singing at the age of five years old.

Born into a musical Christian family, his mother a Preacher, and other family members who are also singers and musicians, most notably his aunt, Gospel singer Marlene Edwards is known locally and internationally.

Peter’s talent goes beyond singing. In his spare time he enjoys playing the drums, guitar and piano.

Peter has travelled most, if not all, the corners of Jamaica singing in Clubs, Hotels, Dances and Festivals. He has graced the stage locally with such Reggae luminaries as Shaggy, Marcia Griffiths, Luciano and Professor Nuts.

After spending years on the circuit singing songs that are inspirational to him, whether it’s reggae, soul, pop or RnB, Peter has finally decided to establish himself as a rising performing artist in the reggae industry.

In June 2015, Peter (aka Terro Melody) recorded his 1st single at Cell Block Studio, working with Syl Gordon and Barry O’Hare. The song is called “Said I Loved You But I Lied,” a cover version of a Michael Bolton track.  This first single was launched on the international digital download network (iTunes) under his own company label PKW Entertainment Productions

MUSIC – EP Album Launch 2015:

  • Said I Loved You But I Lied (Cover version – Michael Bolton) – Terro Melody
  • Am Falling in Love – Terro Melody
  • Don’t Cry – Terro Melody –
  • If You Were Here Tonight – Terro Melody
  • Nothing Na Gwaan – Terro Melody (Dancehall Track)

Latest Recordings – 2016:

  • Unstoppable Love – Terro Melody (Dancehall Track)
  • Shorty Wanna Get High – Terro Melody (Dancehall Track)