New Reggae Release: Pressure Busspipe – Fight (@Busspipe)

00-pressure busspipeGaining international recognition with a number of top charting tracks, reggae recording artist Pressure Busspipe has remained steadfast delivering quality, conscious music. His latest single “FIGHT” on the wet Waxx riddim by Digital Vibez/Prizzmatic Records is gaining great momentum on social media and worldwide airwaves. Listen here: https://soundcloud.com/digitalvibez/5pressure-fight?in=digitalvibez/sets/wetwaxx-riddim-digitalvibezprizzmatic

Reggae Industry Insiders Encouraged To Join The Grammy

00-GrammyWe are reaching out to encourage artists and other music creators in the Reggae community to join The Recording Academy®, aka the GRAMMY®s, as members. For almost 59 years, the GRAMMY Awards have been the only peer-voted awards in music. Black Uhuru received the very first GRAMMY Award for Best Reggae Album in 1985.

Many of the most established Reggae musicians, producers, engineers and songwriters are already members. The Recording Academy wants to help ensure as many diverse artists in Reggae as possible can vote in the GRAMMY Awards Process. The deadline to join or renew and be eligible to submit music in the Online Entry Process for the 59th GRAMMY Awards is July 31, 2016. Eligibility Period for recordings released between October 1, 2015 and September 30, 2016.

Your voice is critical to ensuring the brightest stars in Jamaica are nominated!

Membership has many benefits:

Submit Music For Consideration and Vote (if qualified) in the annual GRAMMY Awards;
– Over 50% of all nominees and winners this year were artists on independent labels. The Online Entry Process (OEP) opens for record labels and members each July and closes at the end of August.

Connect online with a global GRAMMY community;
– Through http://www.GRAMMYPro.com, you’ll have access to content about “the business” of making music and a social networking platform for GRAMMY members only.

Advocacy on Behalf of Music Creators;
– Help support The Recording Academy’s important Advocacy work to fight for the rights of music creators around the globe.
Visit: www.grammy.org/recording-academy/advocacy

Your membership has an impact far beyond the GRAMMY stage! For requirements and the online application, visit: www.GRAMMYPro.com/join. Feel free to email The Recording Academy’s Senior Membership Manager, Yvonne Faison, with questions at: Yvonne.Faison@grammy.com.

Brian Holt Bio

Brian 1Brian H. C. Holt is the son of legendary reggae recording artist, John Holt. Born in Kinston 13 and raised in the Meadowbrook Estate area in Jamaica, Brian grew up with his dad, grandparents and half siblings. As was expected, he developed a love for music at a very young age. He remembers sitting in his living room as a child playing several LP and EP vinyl records for hours.

Although he was surrounded by music from birth, his official journey towards a career as a singer did not commence until he was about seventeen years old. By this time he was living with his mother in Connecticut, as his dad was back and forth between Jamaica and the United Kingdom. After school, Brian and his friends would go to a particular schoolmate’s house and take turns performing over various rhythms.

When he turned nineteen years old a friend of the family who was also a producer, heard him and invited him to the studio to lay vocals. He recorded a track entitled “I don’t wanna be there,” which was released in both Connecticut and New York. Despite the fact that the song was well received, Brian found it difficult to maintain a consistent career in music as he was also involved in other things. That being said, in 2015 he recorded and released two new tracks: one dedicated to his father, entitled, “lost dad” and a cover version of “lost love.”

Though he has not recorded and released a lot of music over the years, Brian remained visible on the live scene, as he was always performing at various events. His most recent major performance was at the 2015 Jazz and Blues Festival in Jamaica and his dad’s memorial, held in the same year.

Anyone wanting to work with Brian Holt may do so by contacting Whatage Music via email address whatagemusic@gmail.com or phone +1(876) 347-1766

 

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Bio prepared by www.mjent.net

Reggae Artist Chronixx to Debut in Japan (@ChronixxMusic)

00_Chronixx_004+1The fireworks for Mighty Crown’s 25th Anniversary have officially erupted, as the renowned International sound has tapped mega Reggae artist Chronixx to join the celebration with two epic concerts in Japan later this month! Slated for Osaka and Kawasaki, Chronixx and the Zinc Fence Redemption band will appear alongside Mighty Crown and Japanese Dancehall group Fire Ball. This is more than just a Mighty Crown milestone, as it marks the “Capture Land” singer’s spectacular Japan debut. From the looks of things, Mighty Crown and Chronixx’s impressive Japanese following couldn’t be more thrilled.

As one of the forerunners of Jamaica’s acclaimed “Reggae Revival,” Chronixx has been making extensive strides since his groundbreaking 2012 breakthrough. With a string of hits like “Smile Jamaica,” “They Don’t Know,” “Behind Curtain,” “Aint No Giving In” and many more blazing the trail, Chronixx is quickly solidifying his position as a bonafide Reggae star. Major appearances on “The Tonight Show with Jimmy Fallon” and a Central Park concert catapulted the singer’s “Dread & Terrible” EP to the top 10 of the Billboard Top Reggae Album Chart, where it remained for nearly 1 year.

Chronixx’s “Dread and Terrible” tour has landed him, along with the Zinc Fence Redemption band, in places across the Globe. And now, the singer can add the massive Reggae music market of Japan to his growing list of credentials. Making a debut in Japan for Mighty Crown’s 25th Anniversary is an awesome way to show the valuable connection between Reggae artists and sound systems.

New Reggae Release: Peaceful Demonstration by Black Slate (@BlackSlateRegga)

506xNxblack-slate.jpg.pagespeed.ic.AUpaAxXzl7Available since April 28, 2016 on all digital services worldwide is the album PEACEFUL DEMONSTRATION by United Kingdom reggae pioneers: Black Slate. These ten tracks were recorded on the Caribbean island of Antigua and chronicle the journey the group has taken since its inception in 1972. After 40 years in the music business, the deep roots reggae band returns with their first full-length album released since the album SIX PLUS ONE in 1982. Peaceful Demonstration is released on the on TCD Records the label named for Tony, Chris and Desmond, the original members of the band founded in 1972 in the United Kingdom.

Each of the original members chose to take a hiatus from touring life to help raise their families and establish sustainable business ventures. Anthony Brightly remained rooted in the music industry, becoming a driving force in the advancement of Lover’s Rock and UK reggae in general through his work as a Disc Jockey, Club owner, Artiste Manager and event promoter, shaping airplay and artist growth both at radio and in the club setting. Chris Hanson has become a sought after mix and mastering engineer, adding his unique touch to thousands of songs over the past several years right up to the present.

Remaining involved in the industry outside of their band experience as Black Slate, these musicians have observed the global reggae music marketplace and have returned to the studio to present roots reggae with an echo from the analog, live off the floor recording techniques of the 1970’s infused with a modern roots feel, with lyrics that reflect the current landscape.

Order and preview now on iTunes: https://itunes.apple.com/album/peaceful-demonstration/id1082928315

New Reggae Release: Nesbeth – Doing Me (@NesbethReggae @madness1616)

nesbethThe recently released Wet Wax Riddim from Digital Vibez/Prizzmatic, features new music from Nesbeth, who is currently one of Jamaica’s rising stars. His song on the compilation is entitled “doing me” and as with his previous releases, this song shows his strength as a remarkable lyricist.

In the song Nesbeth says:
“A nuh just now so we stay from birth,
October the second so we balance inna earth,
we nuh weak we nuh chase every black woman skirt,
music fi life but a nuh every concert
we perform inna check the formula,
we nuh come ya fi loose we born winna,
tsunami storm inna ya cant keep we calm inna,
eat good food mek we stamina.”

Listen here: https://soundcloud.com/digitalvibez/2nesbeth-doing-me?in=digitalvibez/sets/wetwaxx-riddim-digitalvibezprizzmatic

Which of the following is the best ganja song? (@kappomuzic @Mr_Williamz @RealHiawondah @ANDIITES @MikeyGeneral7)

00-baddest weed song

Over the weekend, the team at MJE/MJ Magazine got in a heated debate about which of the following herb track is the best. The argument got very heated as everyone on the team, some ganja smokers, some not, presented their points to support their choice. Seeing as though we were not able to select a winner, we decided to create a poll and put it to you the people.

LISTEN ALL SONGS HERE & CAST YOUR VOTE BELOW
Andi-ites & Hiawondah – Herb & Tea

Kappo – Sensimillia

Mikey General & Mr. Williams – Ganja Morning