What Are They Saying About Britain And Racism? (@BBMBMC)

00-british1So how is Britain dealing with racism, apart from its periodic use as a political football, or the broader issue of diversity? Last year, there was a loud and determined effort with government ministers roped in to address diversity within the broadcast and film industries.

The year before, in comparison, there was a more muted and internally-focused effort to do the same within music – all the major music industry bodies signed up to the Equality & Diversity For Music. RE:IMI (Race Equality: In Music Industry) would like to see this effort succeed, and during this year’s British Black Music Month, aims to galvanise stakeholders in redoubling their efforts in addressing equality issues.

An election year, is a particularly good time to be dealing with these issues. The major political parties have all issued their manifestos, some like Labour and Lib-Dem, have actually also issued mini-manifestos addressing the inequalities faced by Britain’s African, Asian and ethnic minority (AAEM) communities. Community organisations such as OBV (Operation Black Vote), BTEG (Black Training & Enterprise Group), and for the first time the ‘black’ church under the auspices of NCLF (National Church Leaders Forum), have also issued manifestos.

This election, like any since the notorious 1964 elections from which the victorious Labour government introduced the RRA, has had its fair share of ‘race’, racism, immigration and xenophobia stories.

All this is happening at a time when we should be marking the 50th anniversary of the enactment of the 1965 Race Relations Act (RRA), the bedrock of Britain’s equality laws. You would be forgiven if what should be a landmark legislation, which came about as a consequence of African-led activism with the support of progressive Europeans, has passed you by.

There’s been no fanfare, not even the merest mention anywhere. This is interesting, particularly at a time when some feel there’s been a roll-back of progress made in tackling racism in the intervening decades be it through entrenched institutional, the usual insidious or covert, or the occasional overt manifestations of racism 50 years on.

00-british2It’s against this backdrop that London community groups BTWSC and African Histories Revisited mark British History 50:70, on May 14, one week after the general election, with the launch of a documentary in Westminster in which over 50 people, drawn from diverse backgrounds opine on the state of racism in Britain.

Contributors to the ‘Look How Far We’ve Come: Commentaries On British Society And Racism?’ DVD, which will be launched at the Abbey Centre in Westminster, include the late politician Tony Benn, who was instrumental in the passage of the 1965 RRA. There are other politicians such as David Lammy, Keith Vaz, Diane Abbott, Ken Livingstone; ‘race’ activists Lord Herman Ouseley, Lord Anthony Lester, Linda Bellos, Dr Richard Stone; community and political activists Darcus & Leila Howe,Eric & Jessica Huntley, Lee Jasper, Marc Wadsworth, Toyin Agbetu; academics Prof Gus John, Prof Harry Goulbourne, Prof Paul Gilroy; trade unionists Lord Bill Morris, Zita Holbourne, Wilf Sullivan;and Bristol Bus Boycott leader Paul Stephenson. Contributors are also drawn from the Church, law, police, nursing, and broadcasting.

The guest of honour is educationalist Dame Jocelyn Barrow, a founding member of CARD (Campaign Against Racial Discrimination), one of the organisations whose work led to the 1968 amendment, which brought employment and housing under the purview of the RRA. The launch is preceded by a post-Easter presentation entitled ‘Is Jesus White?’.

A competition based on a teaser video consisting of snippets without sound posted on Youtube (http://bit.ly/1MyamSp) will run from May 1-9. Winners who decipher what’s being said by a particular contributor will receive a copy of the DVD, the ‘Look How Far We’ve Come: The Race/Racism Primer’, and two complimentary tickets to the launch. For more details or to book for launch: http://bit.ly/1xWMG1d.

Heart Foundation of Jamaica to visit Health Centers (@heartjamaica)

heart foundationThe Heart Foundation of Jamaica will be visiting the above health centers to carry out Heart Screening, Blood Pressure checks, Blood Sugar checks, Total Blood Cholesterol and Haemoglobin checks at a reduced cost. Persons who are on medication are being asked to take it with them. Each individual screened will receive private counselling from a Registered Nurse.

JAMAICAN MOVIE ‘DESTINY’ SOLD OUT AT U.S. PREMIERE (@Mr_JWhittaker)

DestinyThe award winning Jamaican/ Canadian indie movie “Destiny” continued its historical sweep on Monday March 30, 2015, at the Miramar Cultural Center in Miramar Florida, as the movie made its U.S premiere to a capacity filled theater. Hosted by Miramar’s Vice Mayor Yvette Colbourne and organized by Riddims Marketing, Inc., “Destiny” attracted South Florida’s media, entertainment personalities, corporate executives, elected officials and members of the general public.

With an on time 8pm start “Destiny” hit the screen to loud cheers and applauses, as the movie took the audience members on a nostalgic ride with picturesque scenes of Jamaica highlighted by familiar sights such as, an Air Jamaica aircraft landing at the Palisadoes Airport. As the movie continued, the audience had expressive reactions to the appearance of popular Jamaican personalities and could be heard singing along to the catchy hook lines of the music from the Clive Hunt produced soundtrack. “Destiny” struck all the right chords with audience members who had positive comments at the end of the movie.

“Destiny” is scheduled to open to general audiences in select theatres in New York, South Florida, Chicago, Atlanta, DC and Hartford within the coming weeks. The U.S. Premiere of Destiny was sponsored by The City of Miramar, The Miramar Cultural Center, The Jamaica Tourist Board, Tuff Gong Pictures and Caribbean Airlines.

Morgan Heritage sister Taliba Morgan writes children book (@talibamorgan)

1 taliba morgan

Taliba Morgan

Esteemed author Taliba Morgan, daughter of Jamaica’s legendary Reggae pioneer Denroy Morgan and sister to Morgan Heritage, world-renowned Reggae band has released the whimsical children’s book “Lizzy and the Magic Coat: Sweet Sweet Dreams”.

The book series tells of the adventures of a curious young girl who is a wizard in training. While Lizzy dreams, she goes on magical journeys to far-away places where she encounters all kinds of delightful characters to convey important life’s lessons. In this story “Sweet Sweet Dreams”, Lizzy will learn her first life lesson that will change her perception on the importance of listening.

I created this story sometime after my mother died. She died when i was 9 years old and she gave me a fur coat and i hated to wear it…However when she died i would wish that the coat would take me to her. I never thought i would make it through without her. So when i was 13 i wrote my first short book “Me and my Fur Coat” and Now that i am a mom and have my own daughter and have experienced a mothers love, I have now evolved the title to “Lizzy and the Magic Coat”. The character is named after my daughter Elizabeth.”

The American Academy of Pediatrics acknowledge the importance of reading to children from birth, as it enhances vocabulary and other important communication skills. Reading books aloud to children stimulates their imagination and expands their understanding of the world. It helps them develop language and listening skills and prepares them to understand the written word. “The more that you read, the more things you will know. The more that you learn, the more places you’ll go.” ― Dr. Seuss

“Lizzy and the Magic Coat: Sweet Sweet Dreams” is available at Barnes and Nobles, Amazon and will be released on Kindle.

For more information, please visit http://www.Little-Lizzy.com

DIY (Do It Yourself) Newsletter for independent artists and producers (@MariaJackson27)

MJE DIYStarting Monday March 23rd MJE will be sending out a weekly newsletter aimed at assisting independent artists and producers in the music industry. This is being done in response to emails we have been getting from persons who were on our ‘Independent Artists & Producers Newsletter’ that we unfortunately stopped sending out a year ago.

The DIY newsletter will provide information on how to; arrange musical tours locally and internationally, get featured in newspapers and magazines for free, get radio and TV interviews and so much more. We will also be providing actual contact information for persons in the industry that can assist independent artists and producers in different areas of the music business.

Send an email to mjenewsletter@gmail.com and you will be automatically added to the mailing list.

Metalworks Institute of Sound & Music Production Now Accepting Students For Sept. 2015 (@metalworksARTS)

Metalworks Institute of Sound & Music Production is the educational extension of Metalworks Studios, one of Canada’s best recording studios and home to some of the world’s most successful artists and producers.

Their curriculum is designed to educate those who wish to understand the complexities of the Entertainment Industry and prepare them for a successful career using a solid foundation of knowledge.

If you are passionate about launching your dream career in the Entertainment Industry, they have over 35 years of experience to share with you!

Apply on their website: http://metalworksinstitute.com/

Music Business Technology Trainers Now Accepting Students For Their Music Production & Sound Engineering Courses

Music Business Technology Trainers Now Accepting Students For Their Music Production & Sound Engineering Course

Don McDowell (right) with a student (left)

This 15-weeks course is designed for users, and prospective users of hi-tech sound production equipment used in recording studios, broadcasting, or “Live” sound for stage shows, theatre, or church. The target group includes Trainee Sound Engineers, experienced Sound Engineers with no formal training, PA & Sound Systems Operators, Record Producers, Artistes, and Musicians.

The course presumes no prior knowledge of the recording process. Focus is on the basic principles, techniques, and development of skills in handling sound; operating digital and analog mixers and processors; setting up equipment and mixing; using effects and signal processors along with MIDI, and Computers. Practical recordings of rhythms and overdubbing of vocals are combined with theory to develop “hands-on” skills and “know-how”.

SOUND ENGINEERING TOPICS THAT WILL BE COVERED ARE:

1. SOUND & ACOUSTICS
2. MIXING CONSOLES
3. CONNECTORS
4. MICROPHONES
5. PROTOOLS & DIGITAL RECORDING
6. PROCESSORS & MIXING
7. MIDI BASICS & SYNCHRONISATION
8. “LIVE” SOUND SYSTEMS
9. SOUND REPRODUCTION SYSTEMS
10. MANAGEMENT AND ETHICS
11. PROJECT & PRACTICALS

Persons interested in taking any of these courses are being asked to call (876) 925-6249 to register or for additional information.